Ezora Chronicles

Among the treasures I’ve discovered as a Dungeon Master for my campaigns, few sources have had as lasting an impact on me as NOD Magazine . Published by John Stater, this magazine not only revolutionized my approach to designing hexcrawls but also provided an overwhelming amount of material to enrich each hex. In my opinion, Stater is one of the finest creators of hexcrawl content. His ability to condense fascinating ideas into brief descriptions, while leaving space for the DM's imagination, is truly a work of art. While his contributions to the Hexcrawl Chronicles series for Frog God Games are commendable, they feel much more "vanilla" compared to the bold creativity found in NOD. For those interested in exploring his work, I highly recommend visiting his page, Land of Nod , where a couple of issues of the magazine can be downloaded for free. . Module Cover In NOD Magazine #16 , Stater presents a hexcrawl set in Kush, inspired by African myths and folklore. This main f...

Worldbuilding, the act of crafting a universe with its own rules, cultures, and mythologies, appeals for various reasons. For some, it is a pastime, an end in itself, while others use it to prepare a novel or design their own role-playing campaigns. Regardless of its purpose, what makes a setting special, what truly sets it apart, is that personal pursuit, that unique reason driving us to create it. It’s the heart of our creation, the foundation that gives it identity. In my case, I have always been fascinated by settings where gods play an active role in the world. Ezora, my own fantasy world, was born as an opportunity to reflect on the human and the divine, the relationship between mortals and deities, and how faith shapes reality. Faith as a Creative Force One of the central concepts in Ezora is that faith is not merely a matter of abstract beliefs but a tangible power that shapes reality itself. When enough mortals believe in something with true fervor, that belief can shape the v...

One of the best pieces of advice I can offer any Dungeon Master, especially those running a long-term campaign, is to create and maintain a well-organized and generic stat block bank. If you primarily play a system like OSR or a D&D derivative, this will be particularly useful. Having a stat block bank means you’ll always have NPCs, monsters, and other creatures at your fingertips, ready to recycle and reuse easily, saving time and enhancing your ability to improvise. The Advantage of Reusing Stat Blocks During the years I ran D&D 3.5, I collected generic NPC stat blocks from the modules I read. Thieves, cultists, bandits—these kinds of NPCs all found a place in my archive. I reused them repeatedly, tweaking minor details when necessary. For example, I’d sometimes change the weapon they used to suit the scene or simply alter cosmetic descriptions: a bandit could go from a menacing thug to a desperate young man trying to save his family. These quick adjustments make stat blocks ...

Warning: This article contains spoilers about the overall structure of the Red Hand of Doom module. If you prefer to discover its details on your own, I recommend reading with caution! Adapting Adventures: Flexibility as a Narrative Key When adapting an adventure, I usually break it down into its constituent parts: locations, monsters, and NPCs. This approach is particularly useful in adventures like Red Hand of Doom (RHoD), which follow a linear structure. One question I always ask myself is: Is it possible or desirable to visit these locations (or nodes , as Justin Alexander calls them—in an order different from the one proposed in the adventure? In most cases, the answer is yes. The structure of RHoD is brilliantly summarized in a flowchart presented by ksbsnowowl in The (New) 3.5 Red Hand of Doom Handbook for DMs : Ambush on the road —> semi-remote town —> wilderness —> Army’s forward scouting base (Vraath Keep) —> secondary forward base/choke point (bridge) —> atta...

In this series of articles, I will guide you through the process of designing a sandbox hexcrawl, illustrating each step with Chardauka, one of the continents of my world. Throughout these articles, I will cover both adventure content creation to populate the hexes and the worldbuilding elements that bring the setting to life. First, we brainstormed the general characteristics of our base city of operations . Then, after consulting our references, we designed the look and tone of the districts that comprise it. The next step is to start creating the landmarks, official buildings, and specific businesses that characters will visit or use to navigate the city. Key Services for Adventurers When designing a city for a role-playing game, it is essential to focus on the services that adventurers will need during the game, giving them personality to make them memorable. Everything in the city should be connected in some way to the needs of the group but not exclusively oriented toward t...

The Hexcrawl25 Challenge is a proposal inspired by the famous Dungeon23 Challenge , but tailored for those who want to undertake a hexcrawl development project for the new year rather than creating a dungeon. Designed by Maatlock, this challenge invites participants to create a complete campaign world over the course of a year, focusing on designing hexagonal maps and filling them with evocative, playable content. The primary goal is to develop a map consisting of 19 regional hexes arranged in a "flower" pattern, with a central hex surrounded by two rings. Each of these regional hexes is further divided into 19 smaller sub-hexes, creating a total of 319 sub-hexes. Each sub-hex can contain elements such as points of interest, varied terrains, settlements, NPCs, or monster lairs. As Maatlock puts it, in projects like this, you can always choose to focus your efforts on artistic aspects, narrative development, or a combination of both. Additionally, I, for instance, would consid...